Whereas Blasphemous leaned more towards being a Soulslike, with a greater emphasis on tough boss battles and repeated death, its sequel leans more towards the Metroidvania side of things with platforming, exploration, and a slightly more forgiving (for the most part) level of difficulty being the focus of the gameplay.
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While the game will give you indicators on the map of where you need to go next to advance the story, it doesn’t tell you how to get there, and of course the path is very rarely a straight line, and you’ll often have to backtrack into areas to acquire new abilities to proceed.
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As the Penitent One you’ll be traversing a series of fairly large interconnected areas, with progression softlocked behind defeating bosses and abilities you’ll gain as you explore. Blasphemous II is perhaps a little too cryptic for its own good sometimes, but there is a story-rich world here waiting for you to discover it if you can, and also if you choose: Blasphemous II’s deeper story is almost completely divorced from its gameplay, with that basic explanation provided at the beginning being enough to explain what you’re doing, if you’d prefer to just play the game without diving into the particulars.īlasphemous II, like its predecessor, is a Soulslike Metroidvania. Perhaps that was intentional, but if you intend to play this game for its narrative I would say this is something worth bearing in mind: to get the most out of it you will need to have that knowledge of events of the first game, and you will need to comb the world for every last scrap of information, and be prepared (if you’ll pardon the pun) to take a lot on faith. Even after replaying the first Blasphemous and then doing the majority of the sidequests in Blasphemous II I still felt as though I was missing a lot of information. However, it is extremely easy to miss out on key pieces of information that can leave the story feeling incomplete at best and incomprehensible at worst, as it throws keywords and concepts at you with zero context, assuming you’ve discovered for yourself what it all means and can follow along. The game encourages theory-crafting extreme levels, and explores religious questions and concepts in a way that invites player speculation and doesn’t necessarily provide a clear answer. Everything that you do in Blasphemous II, from acquiring new prayers and miracles to speaking to NPCs and completing their sidequests, adds a new dimension to the story. On one hand, there is something very satisfying about uncovering the hidden depths of Cvstodia for yourself, and it feels like the perfect fit for a Metroidvania title, as it adds an additional level of incentive to and reward for exploration. Blasphemous II is not a game that tells you a story: like everything else in the game, you have to work for it.īuilding upon the narrative via hidden lore is a very common approach taken by Soulslike games, and it’s an approach that doesn’t always work. This is all that you’re told at the start of the game, and unless you actively engage with the world, its numerous characters, and read every small nugget of information that the items you’ll pick up along the way have to offer you, that is all that you’re going to get. The Penitent One, newly awakened from his tomb, needs to prevent this birth from occurring. The Miracle has returned to the land of Cvstodia, and a new miracle child is about to be born.
Blasphemous II picks up where the first game’s final piece of DLC left off.
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